COMMUNITY PALETTE MURAL AT THE CARTER BUILDIG

“I am so excited to be associated with such a talented, imaginative, accomplished, hard working community of artists. What an amazing day at the Carter Building! You could feel the creative energy in the air. Everyone participating had so much fun. The mural is fun, colorful and captures the story of the Carter Building Community. “

Rick Bennett

“Thanks for putting my thoughts into words, Rick! I join you in appreciating the leadership and creativity of those who gave shape to this project, strengthening both our Carter Building community, and Raleigh, at large.

I love the inspiration of each of us bringing our own unique gifts; learning from what others offer and feeling the pleasure of extending our own flavor into the mix.

What an opportunity we have with all our creative spirits! We're a funny lot by nature, I think. Or maybe it's just me. I love to be by myself when I'm painting, yet I feel super-charged and engaged by being with other artists. Just doing this project, I noticed I went from being addressed in polite terms to being "one of the guys". We have so much potential in this group. I am grateful for Tunde, Susan and Lee for being the brainstormers who planted the seeds and cultivated the soil for the rest of us to flourish. Now, I see the process growing, so that many more join in the joy of creating with like-minded artists.

Our working together can only serve to ignite the community! Bring on the church groups, home schoolers, neighbors, politicians, and celebrities. We're the place to be!”

 Yay us!

With gratitude,
Donna Belt

 

“Great job by the painters, photographers and Web/Blog masters. The final work is fantastic as is/are the immediate postings. Anyone in the community looking at the photos online should be impressed with the capabilities displayed by TCB folk and look forward to what may be brewing for the future...”

Good Stuff!

Bill Beatty

“We had a lot of fun with this mural event and it was an unqualified success, thank you to those who organized it. As daunting a task as it was the group pulled it off amazingly well and it created more buzz in the community than I'd anticipated.

After showing the photos to numerous people there are many who are already regretting not seeing this event and telling me they will commit to coming next year. I have spoken to one minister at a mid size church and he says he'd like to advertise the next event to his church.

It is my opinion that the next one could draw many hundreds of people. Maybe we need to dream even larger?”

 Steve Coad

“Thanks to all who helped and all who came out and painted! It was a great day, we had more than 50 participants ranging from local politicians, artists, families, passer-bys and a tourist from Greece!
Truly a community palette! Steve Caod will have photos on his website tonight, www.simplyphotosnc.com. I will get photos on our website tomorrow! The mural needs the final finish and then it will be hung!”

Susan Jones

Impressions of an Artist New CARTER BUILDING by Donna Belt

Last fall, I found myself in a position of growing my art studio from the lone space I had enjoyed in an apartment building on Glenwood Ave to establishing a presence in a creative community.  It was important to me to feel at home in an environment that would appreciate the knowing I had that art was a language of the spirit.  It was not just about outcome, but process, as well. Awake at 3:00 in the morning, I got out of bed to look up the link for The Carter Building.  What I read there about the creative community inhabiting a building that dated back in the Carter family to the 1920s, lured me to bring my husband with me to tour the space the following day.  The impression I had there was like walking into a Hobbit warren.  Stairways leaned and floors tilted, and everywhere art and artists' tools competed for space.  It was that day that I knocked on Mr. Carter's door and announced that I was coming.  He had no space available, but I knew I was meant to be there. This was a place that felt like home.

This Saturday The Carter Building artists will be hosting a gathering of school children, local celebrities, and neighbors to paint a mural entitled, "Raleigh, My Dream City" designed by Tunde Afolayan and Lee Ball, which will decorate the exterior of The Carter Building.  This is exactly the vision I had when I got out of bed in that early morning last November.  I wanted to be in a place that acknowledged the creativity inside each person; a place where people experienced community, and one that allowed each to contribute according to his nature.

I invite you to be part of the dream. Feel a glimmer of ownership as you stroll down Glenwood South.  Bring your kids so they can share the experience of creating something that will touch others for years to come.

Welcome to "Raleigh, My Dream City"!
Saturday, June 4, 10:00 AM to 6:00 PM
TCB, 12-22 Glenwood Ave, Raleigh 27603

Donna Belt
www.spiritworksonline.com

FOLK ART EXHIBIT AT THE CARTER BUILDING

Lula is a North Carolina folk artist born and raised in a rural community of Wolf Pit, North Carolina. Her childhood home was located in the middle of a cotton field, the early childhood experience of of the cotton field is reflected in her work. She also worked in the tobacco mill during her early years. She started painting at age eleven in the fifth grade, with the direction and encouragement of her special teacher, Mrs. Anna Wall Johnson at Ashley Chapel Elementary School. While at elementary school, she had a privilege of doing bulletin boards, floats, and some other projects that were available. Mrs. Johnson often said to young Lula “Stick with it, and one day it will serve you well.”

For a period of approximately five to six years, her art

took a slight detour, when she pursued a career in modeling with the Greensboro

based Glamour Inc. Lula was blessed with two loving children, Cynthia and Jack Jr. when they became teenagers, Lula’s painting resumed at a rapid pace. She created images of things she had seen combined with her life experiences and imaginations.

The setting of Lula’s first art show and many to

follow was in the closet of her job at Richmond Memorial Hospital. Quite often during her lunch break, she would show her art to different people. This led to her being invited to display some of her paintings at the Leath Memorial Library.

Her paintings have been exhibited in the Smithsonian American Art Museum, Washington DC and several galleries in North Carolina.

ArtSPEAKS AT THE CARTER BUILDING

Retired N.C. State Art Professor Lope Max Díaz was the inaugural ARTspeaks presenter on Sunday, April 17, 2011, from 2 p.m. to 5 p.m. at the Carter Building. The event was held outdoor on a bright, sunny Sunday afternoon at the Carter Building parking lot.
Lope shared with the participants a penetrating insight to his creative world and process. He also offered constructive critique sessions to some of the individual artists who were present at the event.

Lope Max Díaz is an artist and retired faculty of NC State University where he taught Design Fundamentals and Painting in the College of Design. He exhibits his paintings with regularity throughout the southeast region of the country, as well as in Puerto Rico. Before joining the faculty of the College of Design in 1988, he was an Assistant Professor of Design in the School of Architecture of the University of Puerto Rico, and prior to that an Instructor in the Fine Arts Department of the College of Humanities, University of Puerto Rico. He has also taught art at Interamerican University of Puerto Rico.
He received the College of Design Outstanding Teacher Award in 2000, and the nomination for Alumni Distinguished Undergraduate Professor of the College of Design in 2002.
Lope Max Díaz has served as juror in numerous art exhibitions in North Carolina and in Puerto Rico. He has also served on art/design panels for the Raleigh Arts Commission, the North Carolina Arts Council, the McColl Center for Visual Art in Charlotte, NC, the National Endowment for the Arts in Washington, DC, the Mid-Atlantic Arts Foundation in Baltimore, MD, and the Torpedo Factory Art Center, Alexandria, VA
For his contributions as an artist, educator, and service to the community, he was awarded the 2003 Raleigh Medal of Arts and the 2003 Centennial Medal from the University of Puerto Rico in Rio Piedras, Puerto Rico.

ARTspeaks is a quarterly forum designed to engage artists and arts patrons in meaningful dialogue. Next Artspeaks will be held in August 2011.

DRAW A-THON

WITHOUT BORDERS STUDIO

Representing some of the finest media in the world of art.
ORIGINAL PAINTINGS, MIXED MEDIA & PHOTOGRAPHY
We are located in the Cater Building on Glenwood Avenue
in the historic Glenwood South community of Raleigh, NC
Please join us for the First Friday ARTwalks
on the first Friday of every month 6 - 9:30 pm.
Gallery Hours: Wed. - Sat. 1 - 7 pm.

CARTER BUILDING ART CENTER

The Carter Building Art Center instructors will be offering art clinics this summer for children grades K-8. We will have a special workshop for high school students late summer on preparing a portfolio for college applications. Camps will be broken up into grades K-2, 3-5 in the morning session and grades 6-8 in the afternoon. Sessions will cover traditional media, photography, oil pastels, print making, mask making, murals, sculpture from recyclables, chalk art and more. Every Wednesday we will have a field trip to museums, the farmer's market and other local sites.
Instructors are Lee Ball, Tunde Afolayan, and Susan Jones.

ART & COMMUNITY ENGAGEMENT_Tunde Afolayan

ART in EDUCATION_ Carter Building Art Center




Tunde Afolayan, accomplished artist and educator, makes a significant impact on the lives of people through his paintings, workshops, and residencies. Since completing his graduate studies at the University of Missouri-Columbia, Afolayan has exhibited paintings in Nigeria, Europe, and the U.S. His thematic compositions in vibrant colors allow figurative images to adopt expressive, abstract, and representational qualities. His skills and expertise in diverse media such as printmaking, photography, mosaic, painting, and clay are remarkable proofs of his competency.
His program, with a diverse range of students, has been used extensively in a successful national YouthARTS Development Project to demonstrate how the powers of art contribute to improving behaviors and attitudes in young people.

Programs include “Community Mural” residencies for arts councils, museums, libraries, recreation centers, senior centers, public and transitional housing facilities. Also available are “Multicultural Mural” and “Identity Mask” workshops to strengthen team spirit, cultural appreciation, and respect for others in a corporate environment.In-School Educational Programs Educational programs include residencies and workshops that provide students with a unique avenue for experiencing art through visual stimulation, demonstration, and experimentation.

PAINTING FROM LIFE_Rick Bennett

Painting from life gives you many wonderful elements that you would never envision sitting in your studio. There are unexpected elements of light, color and composition that can inspire successful paintings. Painting from life also uses different art skills so don‘t be discouraged the first times you try it.
Painting outdoors can also be a challenge. There is so much in front of you and it can be difficult to decide what to paint. Even if you have chosen your subject and it is in the distance look up close and find something interesting as a secondary element. Once the close up element is beginning to take shape you have a strong element to work from as you proceed with the rest of the painting. Establish some dark values early to help gauge the other values in the painting.
Use a viewfinder or two L shapes pieces of matte board. I use an old matte that is cut at two opposite corners. This will help you choose whether the painting format is vertical or horizontal and which elements to include.
Don’t be afraid to rearrange the scene in front of you. Replace a tree with a more interesting one from out of your chosen area. Change the size of an element or the color of a bloom. Remember that you are creating a painting and not copying nature. Look at your painting as it progresses and decide what it needs to make it a better painting. Then look at the vista in front of you and find what fits that need.
As the day progresses and the sun moves so does your light. You have to decide whether you are going to remember the early light and paint that or paint in anticipation of where the light is going to be as you complete your day of painting. I start early in the morning and draw in my subject. Since I work in watercolor any elements of perspective and proportion have to be worked out in the drawing because they are difficult or impossible to fix later. So I choose to draw in anticipation of where the light will be and paint the light at its most interesting point.

RICK BENNETT_WAITING FOR WORMS

Art is inspired by different things for every artist. When I paint from something I find exciting it translates to a more interesting painting.
Caring for our city chickens is one of my favorite activities. When they see the shovel or a garden trowel they come running because they know what happens when the earth is turned. They don't share and they each want all of the worms. It makes me laugh to see them chase the hen who has the worm.
Rick Bennett
UpStart Studio
Carter Building, Studio 25
Rbennett16@nc.rr.com

ART CLASSES AT THE CARTER BUILDING ART CENTER

Join us for classes and workshops that will allow you to explore the joy of creativity. Our artists are looking forward to sharing their knowl¬edge with you. Classes and workshops will be process oriented, working to enhance your skills. There will also be open studio times where you can come and paint, enjoy camaraderie and critique each other’s work under the guidance of one of our instructors.
For more information or to register, email: cbaraleigh@gmail.com

Making Marks
with N. Lee Ball
Tuesdays, January 11th - February 1st 6:30-8:30pm
Making Marks - using line to your advantage - class series will explore drawing techniques using various drawing media, both traditional and non-traditional. Students will create loose, expressive works that can stand alone or enhance other works. Small class size and personal atten¬tion emphasized, ages 16 and up, beginners and up.
Session 1: Jan 11 - Feb 1: Dry Media; Future sessions include Line: wet media, Line: exploring color and Line: mixing it all up: $20 individual class (4), $70 for complete session.

Palette of Vision
with Tunde Afolayan
Wednesdays, January 12th-February 2nd, 7-9pm
This exciting course will rejuvenate your energies about the principles of design and visual language. Primarily the goal is to equip you with the skills necessary to fulfill your artistic vision. This class is taught with the individual artist in mind, teaching principles of visual language without smothering artistic vision. In a progressive and comprehensive manner, you will be trained to look, see and think in a way that will equip you to make art completely yours. True artistic freedom comes when you have developed the skills to convey, on a two-dimensional surface, what your vision has led you to paint.
cost $120 Class size: Minimum - 2/Maximum - 4
Open to all levels
Medium: Acrylics
Students bring their own supplies: canvas, paint and brushes

I See Colors: Joy of Painting
with Tunde Afolayan
Saturdays, January 15-29, 1-3pm
With a series of simple, easy to follow sequential exercises you will learn how to manipulate paint with control to get colors which contain the proper value and intensity needed in your painting. This is what “paint¬ing” is essentially: observing a color and then being able to apply that exact color as needed to relate properly with other colors in your painting. Emphasis will be on the importance of dominance in shape, value, texture and color.
We will cover various paint applications, brush work, and use of a palette knife. This class will give you the foundation you need to get more enjoy¬ment out of painting.
cost $100 Class size: Minimum - 2/Maximum - 4
Open to all levels
Medium: Acrylics
Students bring their own supplies: canvas, paint and brushes


Photographing and Adjusting Images of your Art
with Rick Bennett
Saturday January 22nd or January 29th, Time TBD
Whether you are new to documenting your art or looking to improve your skills this workshop will provide the basics as well advanced techniques for photographing your art, adjusting the image to accurately represent it and preparing the image to enter art exhibitions. During the work¬shop we will go through the process step by step and demonstrate these techniques. This hands on workshop will be limited to a class size of two students to allow each student to photograph and adjust the images of their art.
$45.00 for the one day 2 1/2 hour workshop, 2 student maximum

Beginning Colored Pencil
With Susan Jones
Thursdays January 20th - February 10th 10-12am
Move from the world of Crayola to artist grade colored pencils and come to love their expressiveness and versatility. This class will focus on technique beginning with layering to create rich colors. We will explore various strokes for applying color and creating texture and different types of paper. No drawing necessary, you will transfer photographs to your surface so that our time will be spent with color. We will work on various subjects to provide exposure to as many techniques as possible.
$75 for 4 weeks

Basic Crochet
with Cody Nichols
Mondays January 24th - February 14th 10-12am
This class will introduce you to the basics of crochet stitches and pattern reading. From a simple beginning chain to double crochet stitch, you will build on your skills to create a small finished piece. We will also discuss how color combinations and yarn choices can really make your work stand out.
$25

The Wonderful World of Watercolor
with Janie Johnson
Wednesdays January 26th -March 2nd 10am - 1pm
This watercolor course will accommodate both beginning and continuing students. Each class will begin with a short demonstration by the artist focusing on a variety of watercolor techniques. Students will then work using photographs or other visual aids. Emphasis will be on achiev¬ing bold watercolors using fewer strokes. We will explore color mixing, perspective, composition, values, and principles and elements of design. Janie will show you how to apply rich and vibrant watercolors in a very wet and saturated technique removing some of the frustrations that can be common while working with watercolors.
www.janiejohnsonwatercolors.com
cost is $30 per class or $150 for the 6 week session

Open Watercolor Studio
with Janie Johnson
Wednesdays beginning January 26th 1 - 3pm
Students are encouraged to come paint in ‘Creation Studio’ during Open Studio time. Bring a project that you are working on or continue the proj¬ect that was started in the Watercolor Class.
Cost is $10 a session.


Beginning Acrylics
with N. Lee Ball
Session 1: Tuesdays, February 8th-March 1st 6:30-8:30pm
Session 2: Tuesdays, March 8th-March 28th 6:30-8:30pm
Beginning Acrylics - Basic techniques, material and color theory will be discussed, demonstrated and applied to student work. Focus will be on finding where you are and enhancing your skills. Small class size and personal attention emphasized, ages 16 and up, beginners and up.
$20 individual class (4), $70 for complete session. One time material fee of $10 for entire 4 sessions due at first attended class.

Beginning Watercolor, Groundwork for Adventure
with Rick Bennett
Saturday, February 19th through March 26th 10-12am
Beginning Watercolor, Groundwork for Adventure Syllabus
Week 1: General Introduction to materials and brush strokes.
Week 2: Demonstration and exercises: Wet on Wet, Wet on dry, Dry on dry, Dry on wet.
Week 3: Color Wheel, primary color, secondary color, complimentary color, warm/cool colors, mixing bright clean colors, neutrals and darks, importance of leaving your whites, negative painting,
Week 4: Value, light and shadow, soft, hard and lost edges,
Week 5: Working from photographs, methods to improve reference pho-tographs.
Week 6: Basic elements of design and composition.
$85.00 for the 6 weeks of classes, 4 Student minimum to hold class.

Artist Bios

Tunde Afolayan
Tunde, accomplished artist and educator, makes a significant impact on the lives of people through his paintings, workshops, and residencies. An experienced teaching artist with three decades of teaching courses in art, he brings a wealth of experience into his workshops and classes. Tunde has exhibited paintings in galleries and museums in Nigeria, Europe and the U.S.
Exploring color as the basis of painting, Tunde infuses spiritualism and symbolism in his powerful lyrical expressions. His thematic compositions captured in vibrant colors allow figurative images to adopt expressive, abstract qualities as well as representational styles. Tunde’s paintings are held in private and corporate collections throughout the world.
For more information: tundevisualart@gmail.com 919,794.1247

N. Lee Ball
Lee has taught high school art for 11 years in public schools and is an exhibiting artist, primarily concentrating in oils. Lee has a Bachelors of Environmental Design in Architecture from NCSU College of Design and Bachelors of Studio Art: concentration sculpture and painting and a K-12 teaching certificate from Meredith College. Lee believes that all who de¬sire to create art can. One must find their strengths and make them come to life…and have fun!
For more information, visit: www.nleeball.com

Rick Bennett
Rick’s art has exhibited at the Charlotte Mint Museum, Fayetteville Museum, Halpert Biennial at Appalachian State University, Raleigh Fine Art Society Annual Exhibition, Visual Art Exchange, Flanders Art Gallery, Best in Show for Technique at The Raleigh Street Painting Festival 2008.
He is a member of the Board of Directors and past President of Visual Art Exchange and leads the VAE Plein Air Painters Group. He also teaches watercolor at Pullen Arts Center in Raleigh. You can find his work at Up¬start Studio in the Carter Building open for the First Friday Art Walk each month and by appointment.
Rick worked with photography for 12 years. His photography has been accepted for exhibition in shows at the Charlotte Mint, Fayetteville Muse¬um, Appalachian State University and the Raleigh Fine Art Exhibition. For the last 7 years he has been painting in watercolor. He photographs his art and uses Photoshop to adjust his images to enter shows, make prints for his sample book and create cards and prints of his work to sell. He teaches beginning and advanced watercolor at Pullen Art Center in Raleigh.
For more information: rbennett16@nc.rr.com; (919)609-9205.

Janie Johnson
My journey for the past 20 years has been one of learning to express my¬self in new ways, studying the work of others and finding my own voice in artistic media. I have had the opportunity to study with a variety of local and nationally known artists. Some of the classes were intensive sessions to help me develop my own personal style, while others were in a group setting that provided insight to other artists and their approach to ‘seeing’ in the world of art.
As a former teacher, it was only natural to want to share my passion with others. Beginning with small group lessons in my studio over 10 years ago, I have continued to expand my instructional offerings to children and adults through special programs at several local retirement communities, at Pullen Art Center, and at Jerry’s Artrama in Raleigh. How rewarding it is to watch people develop the ability to ‘see’ and paint the world around them. www.janiejohnsonwatercolors.com


Susan Jones
Having always wanted to be an artist, when my youngest started school, I decided to pursue my dream. I didn’t know anything about art other than I wanted to ‘create it’! I studied photography and illustration at Meredith College before getting my Master’s degree in Design at NCSU. I am proof positive that anyone can learn to draw and fulfill their creative dreams! My current work centers around using colored pencils to hand color black and white photographs. Visit www.skjonesart.com to see my work.

Cody Nichols
I’m a hairdresser by trade, a mother by choice and a crafter by necessity.
Eight years ago I sat down early one Sunday morning with a 3 dollar bro¬chure from Wal Mart called “Teach Yourself to Crochet in Just One Day!” I worked at it and worked at it for about three hours straight. Oh my god, my hands were tired and cramped but I was so proud of my tiny little 3” swatch of crochet stitches when I was done! Since then I have devoured crochet. My best friend says if I can teach her, I can teach anyone.
Some of my crochet jewelry work can be seen at
www.twentynine29.etsy.com
and on ravelry.com, an online knitting and crochet community.
www.ravelry.com/projects/codilla29

CBA 2010 HOLIDAY EVENTS

Join us December 4, & 11, 2010 for Shop Downtown Raleigh

On Dec 4th, from 10-4, receive a 10% discount, or more, on all purchases and enjoy food provided by a local resturant. On Dec 11th, from 2-5, enjoy a glass of wine while you visit with the artists and merchants. We will have live demonstrations throughout the afternoon.

The Carter Building at Glenwood South, located at 12-22 Glenwood Ave in Raleigh, NC, houses the studios and businesses of more than 75 creative professionals.

FORMS & RHYTHMS_Tolu Filani

CARTER BUILDING ALLIANCE

PAINTING WORKSHOP_July 2010

Tunde will teach Painting Workshop “I See Colors” Understanding Color Composition Register at: The Carter Building Studio 18-B or at www.tundevisualart.com Next Class: July 28, 29 & 23 Time: 7:00 - 9:00 pm. Bring supplies such as canvas, brushes, and paint. Contact Tunde for more information: (919) 794-1247 (252) 267-5981 tundevisualart@gmail.com

*For more information on later sessions go to www.tundevisualart.com

dress: designer consignment resource

Located on 14 Glenwood Avenue Raleigh, NC 27603.

Welcome!
Dress is your consignment resource for selling women's designer clothes, shoes, handbags and jewelry. We sell fabulous new and lightly worn designer merchandise. Consider cleaning out your closet and letting us do the work for you. With a fabulous selection, Dress consignment boutique carries a blend of new and consigned women’s clothes at great prices! We also work with boutiques to assist with their overstock or unsold pieces. Because we love fashion and a bargain, we want all of our customers to have the same experience. Consign or shop and with Dress Raleigh and you will see what great service and selection we provide.

Store hours:

Tues 11 - 6

Wed 11 - 6

Thurs 11 - 6

Fri 11 - 7

Saturday 11 - 6

OR call for an appointment
We want to hear from you! Please feel free to contact Pam Mullaney directly by:

•email at pam@dressraleigh.com
•phone at 919-523-6021

THE CARTER BUILDING

Welcome to The Carter Building! Here you will find a uniquely assembled, eclectic mix of more than 70 people, each committed to the pursuit of creative endeavors and each contributing a passion that fosters and nurtures the overarching Karma of The Carter Building.

http://www.thecarterbuilding.com/about

Tunde Afolayan

http://www.tundevisualart.com/

CARTER BUILDING STUDIOS DIRECTORY

12-22 Glenwood Avenue Raleigh, NC 27603

Carter Building is a great place to experience the arts in Raleigh, NC.
Located on the corner of Hillsborough St. and Glenwood Avenue, this venue offers an array of artistic expression that is invigorating and enlightening. It's the place to be every First Friday in Raleigh, North Carolina!


Studio 1-3: Local Color Gallery 919-754-3887
Lizzie Bailey, Lee Ball, Pam Berger, Mary Ruth Dana, Cecilia Guitarte, Janie Johnson, Lydia Mendise, Adrien Montoya, Wanda Oates,
Virginia Owen, Mary Beth Owen-Zdanski, Pat Pierce, Shawnda Rossi, Lora Stager

Studio 4: Nancy FitzSimons 919-791-0052

Studio 5: Ellen Gamble 919-832-8046

Studio 6: Arts By Us
Diane Burke, Clina Polloni, Alberto Polloni, Julia Polloni-Vick

Studio 7: Sloan Grimes Bridger

Studio 8: David Bibb 919-829-1000

Studio 9: Mary Storms 919-870-9227
Nicole Hanner (919-621-2072)
Lawrence Jones Design 919-830-0848

Studio 10: Points of View Photography Gallery 919-829-1000, 919-302-3830
Diane Amato, Billy Barns, David Bibb, Carson Boone, J.P. Corr III, Paul Dagys, Peter Rilene, Victor Friedman, Paul Gentille, Titus Brooks, Heagins, Stu Jenks, Mary Shannon Johnstone, Claire Levitt, Dale O’Dell, Leah Sobsey, Jane Terry, Robert Vance

Studio 11A: Nina Jackson 919-819-9557, 919-829-0033

Studio 11C: Tammie Carter 919-848-3869

Studio 12B: Leah Isadore 919-971-5729

Studio 12C: Pam Hedrick 919-787-1496

Studio 13A: Ashlynn Browning

Studio 13B: Jim Burris 919-827-2659
Mindy Burris 919-866-9385

Studio 13C: Kathleen Nobles 919-616-5486

Studio 14: Lori White 919-604-2584

Studio 14B: Pitch Gallery

Studio 16: Less Than Greater Than 919-818-1690
Robert Meyers and Renee McHugh

Studio 17: Rob Romaine

Studio 18A: Jennifer Weinberg 919-609-1040

Studio 18B: TUNDEVISUALART 252-267-5981
Tunde Afolayan Famous

Studio 18C: Traci Lorraine

Studio 20: Eric Cecka

Studio 21: Steve Jackman 919-755-1981

Studio 24: Julie Fay, Susan Jones, Kathryn Wilson

Studio 25: UpstART
Rick Bennett, Nimah Darcy (919-741-9085), Caprice McNeill (919-828-2769), Michelle Meek, Delphine Peller (919-676-5594), Val Royall (919-623-5068)

Studio 27: Deborah Crawford

Studio 28: Elise Okrend 919-621-1579

HIPSTERIA (basement gallery)

Peche de chocolat 919-854-1112

Blue Toggle Sylvia Poole (floor connecting gallery)